GLOSSARY
The terms in this glossary
may have other meanings in the real world, but here you'll find the explanation
for the way I use them in my Fun & Easy Landscape series.
Color Family: The group of shades and tints within a
pigment's color. Pale yellow and dark yellow both belong to the yellow
family. Sky blue and royal blue to the blue family, olive green and
yellow-green to the green family.
Composition: The placement of all the elements of a
drawing. Interest, weight, values, focal points, and flow are all
important elements in a drawing (or any art for that matter). Composition is a
subtle and complex thing. Even experienced artists who can draw the most
beautiful objects may be dissatisfied with their work because the composition
is not good.
Focal Point/Focus: The area or object in your drawing that
pulls the viewer's eye first when they look at your drawing. There should be
one main focal point, and then lesser focal points to help the eye move around
the drawing (see flow).
Fun & Easy Landscape
Series: A series of
step-outs, step-by-step tutorials, tips and techniques that I'm using to help
people draw landscapes from their imagination. There are also
explanations to help people decide why they don't like something they've drawn,
so they can avoid doing it again. Formerly, I was calling this the 'Fantasy
Landscape Series'.
Flow: When someone looks at a drawing, their
eyes move around, picking out detail. Drawings with clear focal points
and balanced weight help them decide how to travel through the work almost like
there were arrows directing them to go here next.
Interest: The appeal an object has for most
viewers. People are more likely to look for, study and remember a face
than a rock. Therefore, a face has more 'interest'. Textures,
values, size, numbers and shapes all add interest. It's a little bit like
rock, paper, scissors. A group of rocks would be more interesting than a
single rock. But a rock with texture, larger size or unusual shape might
be more interesting than a group of rocks. A squirrel (which has a face)
would be more interesting than a rock, but a huge rock might be more
interesting than a tiny squirrel.
Opacity: The degree to which a color is opaque,
hiding what is beneath it. An opaque color hides drawn lines. If
you layer it over another color, a completely opaque color will not change.
A less opaque color may change but only slightly and may not reflect the
color underneath. For instance, layering a very dark purple over yellow
may turn the mix to black or dark gray. There is a wide range in the degree of
opacity among colors, color families and brands. Transparency.is the opposite
of opacity.
Pattern Motif: A motif is an element of the
artistic work. It can be a single image or, the important emphasis for this
discussion, a motif may be an image that is repeated in order to create a
pattern. If you draw a circle several times, it is a motif for a pattern
of circles. If you draw a circle, a square and a banana grouped together,
and then repeat that grouped image again in the same work, the whole group is a
motif. In essence, you can make a pattern from anything if you repeat it.
Shade: This term may refer to the color of a pigment
- yellow, red, blue, etc. or it can be used to refer to a color mixed
with black to darken it and dull it.
Step-out: A short illustrated tutorial showing you
how to draw an object by breaking it down into steps. This is similar to
what you might find in many how-to drawing books or in tangle patterns for the
Zentangle® method.
Step-by-step: An illustrated and written tutorial
showing you how to draw a complete fun & easy landscape. Each
step-by-step has two themes. The first involves the objects that are drawn and
may be as abstract as studying the shapes or textures used in them, or as
specific as the kind of objects-animals, people, etc. The second theme
covers some feature of art technique - values, depth, shading, etc.
There are usually two similar
landscapes. One is for comparison, and the other is broken down step by step
with explanations of what I did, and why I made the choices. The explanations
are quite lengthy and detailed, but easily skipped over if one only wants to
follow the illustrations.
Step-wisely: A tutorial aimed at showing tips and
techniques. Usually one is posted the week before a step-by-step, and features
something that will be used in that step-by-step.
Tint: A color lightened by adding white.
Pink is a tint of red.
Tone: A color mixed with gray to darken and
dull it.
Transparency: The degree to which a color is
transparent, see-through. No coloring medium - pens, paints, etc. is
completely transparent but some colors allow more to show through than others.
A transparent color allows drawn lines to be seen easily. If you
layer it over another color, both colors change but the color underneath will
affect the change more than it would with an opaque color. There is a
wide range in the degree of transparency among colors, color families and
brands. Opacity is the opposite of transparency.
Value: Value is a term in art that refers
to a scale of light to dark. You should have at least three values -
light, medium and dark, but will probably have more. High contrast
between light and dark adds more interest and can create a focal point in your
drawing.
Weight: The combination of interest and values
creates weight. The area of your drawing with the most weight becomes the
focal point. Lesser areas of weight help guide the eye around the
drawing. A drawing with equal weight through-out seems flat and
uninteresting.
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