Wednesday, August 23, 2017

Copper and Black #Zentangle #Zentangle-InspiredArt #ZentangleAllAround

I shouldn't really have taken the time, but I wanted to do something for the 'Taking it to the Next Level' challenge at the Zentangle All Around Facebook group.

It feels distinctly unfinished to me, and I may come back to back to it.  Copper Gelly Roll pen and Stabilio 88 black pen on Strathmore gray-toned tile.

It's all nice and glittery in real life.


Wednesday Links to Tangles, Tutorials and Giveaways #zentangle #Giveaways #ArtJournal

Zentangle
Challenges
The Daily New Tangle Challenge
Pattern-Collections Daily Pattern Focus
Zentangle All Around-I Dare You Challenge
joey's weekly tangle challenge #179

Strings
"It's a String Thing" #209
"It's a String Thing" # 208 Tiles

Pattern Videos
Schnattchen - I can't say it but I can draw it
Daily Tangle - Sprouted Pearls
Daily Tangle - Croissant
Triangear - a steampunk pattern

New Patterns
How to Draw Spangle
Opence
Drogon
Compass Tangle Pattern Lesson # 210

Other
Double Marasu - how-to

Tutorials & Art Journaling Prompts
Journal52 – Week #34
Crepe Paper Bird of Paradise
Altered Jumbo Clothespin Photo Holders
Easy DIY Fall Colors Tree - Fluid Acrylic Painting Techniques

Giveaways
Creative Scrapbook Magazine-Why Not Win Wednesday-every week all year long
Dremel Maker Days Giveaway-A different prize every day thru 9/4/17
Partner Celebration featuring Scrapbook.com! GIVEAWAY--Sizzix Big Shot Machine and more
Write to the Centre – A book review and giveaway

Reviews
Review: Pelikan Twist Fountain Pen
Review: Nataraj Active Gel Ink Pen

Tuesday, August 22, 2017

Winsor & Newton Prize Package Review #WorldWatercolorGroup #Doodlewash #Winsor&Newton

July was World Watercolor Month and Charlie O’Shields at Doodlewash® helped watercolor artists celebrate by hosting several giveaways during the month.  I had the incredible luck of winning, not one, but two (!) of the giveaways.  I'm still waiting for one of my prizes, but last week I received my Winsor & Newton prize package.  I want to thank Charlie and Winsor & Newton.  My package was sent through Colart, so I'll add them to the 'Thank you' list as well.

I received three 5 ml tubes of Winsor & Newton Professional watercolor along with a size 4 round Series 7 brush, and 5 x 7 (13 cm x 18 cm) Winsor & Newton watercolor pad.  A nifty little set!

So, of course, I have to do a review.  It's what I do!

Since I'm reviewing all the items, I won't go into much depth for any of them, and I'm only using the items in the set.  Results will differ to some degree when using other papers or brushes.  I have enough experience with Winsor & Newton paint to know that my results were pretty standard.


The Watercolors
The three colors I received are Burnt Sienna (PR101), Alizarin Crimson (PR83), and French Ultramarine (PB29).  This isn't a bad triad, though I think I'll add some of the Winsor & Newton Yellow Ochre that I already own to this palette, so that I can create more greenish greens.


I played around with the three colors, just mixing them to see what range of colors I could create.  I wish I could say that my crowded calligraphy came about because I was seeing what range of lines I could get with my new brush, but ... no. Wait! ... that's a pretty good story.  I'll stick with that, lol.

All joking aside, you can get a good range of colors - some very nice neutrals and purples, especially.
The three pure colors are on the top left, and all the rest of them are the result of mixing two or all three of the pigments.


After doing my little chart, I did a wet-into-wet abstract painting, to let the colors do their thing with each other.  It looks a little bit like some kind of mystery house thingy, but it does show some of the range of values from light to dark.

I really like the way the burnt sienna and french ultramarine interact and granulate.  They make great earth tones.


The burnt sienna has an light value, the french ultramarine is about middle of the road and the alizarin crimson is very powerful and staining. I had to be careful in the mixing that it didn't overpower the other two.

I like the difference in the value of the pigments because I think it gives you more range.  At its lightest the burnt sienna has definite yellow overtones, but they don't translate to greens with the french ultramarine.  I know from experience that it will create greens with some blues, though they are brownish greens.

Because burnt sienna and french ultramarine are granulating colors, they need more coaxing to get them to move in water, while the alizarin crimson explodes on the page and moves freely.  That is standard with these colors, and these Winsor & Newton pigments were true to that.  That said, I didn't need to coax too much, and the alizarin was fairly easy to control.

The Series 7 Brush
The Series 7 brush is a Kolinsky Sable Brush with a rust-proof, seamless nickel plated ferrule and black polished handles.  The Winsor & Newton name, size, series, the words finest sable and England are on the handle in gold print.


This is a fairly soft brush that carries a decent load of water and pigment.  Definitely in the professional range, though I have other brushes that hold more water and pigment.  They cost much more, however.


The brush snaps to a good point. While the size 4 round is smaller than I use regularly for washes, I was able to cover the 5 x 7 page, evenly, and yet paint lines indicating tiny branches on a tree.  The bristles are a bit soft for lifting, but I was able to do a decent job of it.

The lightest values in the painting below are all lifted. The clear blue area were lifted with kleenex while the painting was still wet.  However, the upper area of the painting got muddy because I deliberately painted, let dry, lifted and then repainted three times to see how well the paper held up - more about that below.  You can see the transparency and richness of the color at the bottom, where I only lifted one area with a kleenex while the paper was still wet.  This painting also shows that you can achieve a value close to black when mixing all three colors together.


The Winsor & Newton Watercolor Pad
I received a 5 x 7 inch wire-bound watercolor pad.  I'm a bit torn.  This is such a nice size for doing color charts that I'm tempted to use it for that, but the paper really a bit too nice to use that way.  I've never used the Winsor & Newton paper before, and I will use it again in the future.


The pad is filled with Winsor & Newton's 100% cotton cold-pressed (NOT), fine grain, 140 lb., surface mould-made paper.  The photo below shows the texture, but it's an extreme close-up.  To the eye, the paper is not so rough.  It's just the texture I like.  Rough enough for some granulation, but the texture doesn't get in the way of your brush strokes.


Although the pad size is 5 x 7 inch, it is wire-bound so you lose about 1/8 of an inch in the width and the perforation that allows you to tear off your paintings without risk of tearing.  I tore a page out just to test and it came free easily.


For another test, I spread a small area of masking fluid on the page and painted a blue wash over the entire page.  After removing the masking fluid, I painted over it to see if the paper took the pigment.  It did, with no apparent damage to the paper.

Then I liberally sprinkled masking fluid all over the bottom of the page. I painted, let dry and painted then repeated, carving out some negative shapes.  I let the painting sit for a couple of days before I removed all the masking fluid.  This was another test.  The longer masking fluid sits on the paper, the more likely it will cause damage.  

I had no problem removing the masking fluid however.  I painted a few of the previously masked areas to see if it would still take color or show signs of damage.  It did take color quite well, and there was no noticeable damage.

I kind of like the effect I got with the splattered masking fluid.  I'll have to play with that some more.


I also lifted paint with the brush, though I didn't scrub to the extent that I did in my tree painting.  I did manage to cause damage in the upper areas of the tree painting but I was trying to.  I like to see how much I can scrub and lift, because I tend to do it a lot.  I felt the paper held up well to my abuse.
It actually looks better in real life - the scan picked up the micro-damage where bits of paper had been lifted away.


Now that I'd played around and tried to destroy the paper, I did a quick wet-into-wet study.  This was inspired by an exercise in one of Hazel Soan's watercolor books.  See that blob in the upper left corner that looks like I accidentally stuck my thumb into the paint?  No.  That's the eclipse.  Another good story I'm sticking with!


I was so thrilled to win this prize package, and I'm looking forward to filling up my water color pad with paintings!

Be sure to visit Doodlewash for reviews, guest artist reviews, giveaways and more.  Charlie also runs the World Watercolor Group on Facebook.


 

Sunday, August 20, 2017

Three Pumpkin Fantasy Landscape Step-outs #FantasyLandscape #Step-out #DrawingTutorial

It's a little early to be preparing for fall, but this time of the year the weeks go by quickly.  I thought I'd get these pumpkins out there for those fantasy fall landscapes that are sure to be happening soon.

I'd apologize for the bad scan, but there's a method to my madness.  I hope my step-outs are clear enough for your use, but not clear enough for anyone to copy and claim as their own.  Ain't I sneaky?

For a full list and links to Fantasy Landscape Step-outs, Step-by-steps, Step-wiselys and guide rules go here.

Saturday, August 19, 2017

Saturday Links to Tangles, Tutorials and Giveaways #zentangle #Giveaways #ArtJournal

Zentangle
Challenges
The Daily New Tangle Challenge
Pattern-Collections Daily Pattern Focus
Weekly Challenge #108: Tangle with I-J-K
Zentangle All Around Facebook Challenge

String
Pattern-Collections Weekly String

Pattern Videos
Jester
Hex-Spire
Daily Tangle - Phil-agrees
Daily Tangle - Droopy
Daily Tangle - Twiglet
Spoken Tangle Lesson Pattern # 209
Klokwork - with an unexpected ending

New Patterns
How to Draw Shorely
How to Draw Spoken
Spoken-new official tangle

Other
Fragments D1
Weekly Zentangle Roundup #332
Tangle Refresher 161
Return Visit with TANGLED PODS and DANGLED PODS Stencils
What I take To Zentangle On The Go ~ Zentangling at the Coffee Shop

Tutorials & Art Journaling Prompts
COLORFUL WATERCOLOR SEAHORSE ART FOR KIDS
How to Draw in Ballpoint Pen - A SHADING Tutorial 
Drawing Birds: side, front, back and 3/4 views (video workshop)
It's a Flamingo! Controlled Fluid Acrylic Painting with Beautiful Cells

Giveaways
Dremel Maker Days Giveaway-A different prize every day thru 9/4/17
The Postman's Knock Giveaway-10 nibs & and a tin to store them in
Jetpens Giveaway-Card Case, Apica Notebook, Mechanical Pencil & Gel Pens
Carta Bella Paper giveaway-Haunted House 6x6 Paper Pad
Graphic45 Giveaway-Secret Garden Scrapping prize package

Reviews
Ink Shot Review: Diamine Flowers Burgundy Rose
New book-Tangle-Inspired Botanicals

Thursday, August 17, 2017

Ginger Horse #ZentangleInspiredArt #FountainPen #PenAndInk

You know how sometimes a work just fights you while you're trying to draw it?  I had an idea tickling my brain, a desire to combine stylized pattern with realism - I've done similar before, but couldn't quite decide how I wanted to proceed.  Sometimes,  if I just start drawing I'll figure it out, but nope.  This drawing and I fought each other all the way.

At least the Jacques Herbin Amythest l'Oural and Orange Indien inks are beautiful!


Copper and Black #Zentangle #Zentangle-InspiredArt #ZentangleAllAround

I shouldn't really have taken the time, but I wanted to do something for the 'Taking it to the Next Level' challenge at the Zent...